The artist Carroll Dunham moved his studio from Manhattan to the outskirts of a small village in Connecticut, not far from where he grew up. He wanted to work without the distractions of the city. The critic Roberta Smith often visits his studio. This film documents a discussion of his new work: a series titled “In the Flowers” and a large canvas “The Beach”.

"The New York Times bestselling author of A Noise Downstairs and No Time for Goodbye returns with an edge-of-your-seat thriller that does for elevators what Psycho did for showers and Jaws did for the beach--a heart-pounding tale in which a series of disasters paralyzes New York City with fear. Pulsating with tension, Elevator Pitch is a riveting tale of psychological suspense that is all too plausible. and will chill readers to the bone"--

"When Maggie and Emily meet as girls on the Nantucket beach, they are instant best friends--even though Emily's mother would much prefer she play with the daughters of senators and statesmen than a seamstress's kid like Maggie. But after many golden summers spent building sandcastles and sharing their dreams for the future, Emily and Maggie grow apart. In her twenties, beautiful and spirited Emily worries she'll never amount to more than the glittering...

When an emotional hurricane blows through their lives, testing them in ways they never thought possible, twenty-three-year-old Ashley Anne Waters, her mother Liz, and Maisie, the family matriarch, must turn to each other for strength and support.

Georgia Waltz has what most only dream of: a plush Manhattan apartment, a Hamptons beach house, two bright daughters and a husband she adores. Then Ben drops dead while training for a marathon, and Georgia discovers their wonderland was built on lies. As the family attorney scours emptied bank accounts, she must find a way to support her family. Uncovering a hidden resilience, Georgia considers who she is and what she truly values.